Usoa García Sagüés—Royal College of Art



I am a textile artist focusing on sculpture celebrating motherhood

Petra & Carolina, Baby Wrap tall 40cm, 2024
Princess Nuria, Baby Wrap tall 50cm, 2024
Baby Wraps at LumiNoir Art Gallery, February 2025
Roly, Baby Wrap tall 35cm, 2025
Carlo, Baby Wrap tall 25cm, 2024
Broad Shoulders, Baby Wrap tall 25cm, 2024
Spiky, Baby Wrap tall 50cm, 2024
Beatrice, Baby Wrap tall 40cm, 2025
Gorka, Baby Wrap tall 30cm, 2024
Luis, Baby Wrap tall 20cm, 2024
Roly-poly, tall 10cm, 2024

CARE

fragile but defiant quilt folds





Why use copper?



Connection to Mother Earth, comes from the earth’s crust

Shines, conducts electricity, reminding of the spark of life

Gives rigidity to textiles for sculptures


Why folding?


A domestic activity, carried by women at home 

Mothers wrap babies, protects, delineates hollowness (baby loss)

With diverse materials, make with what’s available 
Hats Off to Mothers, 1x1m,  2024

Hats for heads; mothers have more on their heads
Pietà, 1x1m, 2025

In the words of Nobel Laureate  Saramago, having a child is an act of courage
‘Mother Shield’, 25x25x25cm, 2025

Mother as a shield. 
Rice Mother, 50cm tall, 2025

The womb and fertility

Mother’s Back, 65cm tall, 2025

A column for a back; mothers carry more
Motherhood is a Temple, mobile installation Hyde Park March 2025
Entrañas, 55x75cm,  2023
Unpaid Labour, 50x50cm,  2024

A glove for a hand; mothers do more
Pietà, 1x1m, 2025

Mother as a shield
Busto Madre, 55x75cm,  2020


Soy Madre. Soy artista. SOY
Pietà at LumiNoir Art Gallery, February 2025
Birthing, 60x60x100cm, 2025

Mother as a vessel, the infant bond
Lost Mother, 60x60x100cm, 2025

 Rejecting taboos: She’s blindfolded, she doesn’t know what she’s doing 
Nest, 40x40x15cm, 2025

Mother as a home-maker
Mother’s Milk Factory, 30x30cm, 2025

Mother as a source
Swollen Feet, 60x60x60cm, 2025

Mother as a vessel, dramatic change to mind and body

Resist

mothers as services collages
mother figure vessels      





Why collage?


A woman’s activity , ‘femmage’ combines craft, textiles, paper... 

Multi-layered, like a mother’s daily agenda, allows deeper experience

Challenge the system, reject traditional media


Why body parts?


Transgress representation, a column, mesh, hats, a glove 

Mothers as parts, a vertebrate support, an eye, a head, a hand 

Mothers as services, to carry, to watch, to organise, to get done 


Why recycled?

A woman’s world, sheets, towels, table cloths, kids clothing

Subversion, private, mortal cloth with wrinkles, folds, blemish, odour

Breaking boundaries, domestic/public, high/low societal rank, pure/polluted 


Why figurative?

Reject manufactured image, blissful satisfaction, natural role, fertile land

Express motherhood realities, reject classical iconography

Focus on reproduction, rice representing fertility, breasts, wombs, reject taboos
Upcoming Exhibitions

draw_a_line_RCA mobile installation against gender based violence, March 2025

TEKHNE,  Royal College of Art Kensington, 19-22 March 2025

all love begins and ends here, motherhood collective exhibition, Royal College of Art Kensington, 24-28 March 2025

House of Haberdash in association with TEXTUS, Torriano Meeting House, 7 June- 10 August 2025


Past Exhibitions

Veridical, LumiNoir Art Gallery, KOPPEL project NW1 8BB, 24 February - 5 March 2025

je m'amuse, RuptureXIBIT, Hampton Wick, 11-25 September  2024 (SOLO show)

Murmuration, J/M Gallery Portobello Rd, 15-21 May 2024

Artnumber23 Prague, 19-24 April 2024

LumiNoir Art, Espacio Gallery Bethnal Green London, 19-25 February 2024

S B Art Gallery, Unit 10 The Archives, N15 London, 9-11 February 2024

The Dark Side, Boomer Gallery, Tower Bridge London, 9-14 February 2024

Cosmic -The Holy Art, Dalston London (Dec 2023)

Living Christmas- Business Design Centre, Angel London (Nov 2023) Paragon The Holy Art, Dalston London (Oct 2022)

D31 Gallery, Doncaster (Autumn 2022)
Contacts: Email or Instagram